Spectacles and Festivals of Organization
Managing Ahimsa Production and Consumption
September, 1999
Book under review
David M. Boje
Sample quotes Chapter 1
There is a new business paradigm, a new way of being a business that is socially and ecologically responsible.
It is a fledgling paradigm; dwarfed by the dominant spectacle of production and consumption that functions as common sense all around us.
BOOKS:
Define spectacle?
Here, the spectacle is above all a legitimating narrative for social engineering and social control masking the violent acts of production and consumption.
Spectacle
, says Debord, is an opium, that allows us to sleep walk, as if drugged, stumbling blindfolded through a devolving landscape of ecological and human horror; while cocooned in artificiality and illusion; mind-numbed by cyber media into passive stupefied spectators.
This is why it is not easy for people socialized in spectacles and consumption images of the good life through consumption to step outside of its mechanisms of persuasion, and see its impact on nature, social systems, and the manipulation of our own desires. Our life is just too "saturated with spectacles" and we are too pacified in their "permanent opium war" (Debord, 1967: #44).
Festival
is what I mean by non-violent patterns of production and consumption.Festival - defined as the pragmatics of long term sustainability in a non-violent culture, in balance with the whole planet.
It is, I believe, an third kind of political economy, an alternative to both state communism and predatory capitalism.
The Ahimsa business paradigm would transform spectacles of production and consumption:
Postmodern is about reality, and the illusion of reality, and the interplay between real and fantasy in spectacle. Finally, spectacle is the phantasm of invention, the seduction of advertising, and the mirage of our daily life. It is equating material accumulation with happiness.